Fascination and limits
After developing a deep connection to the button accordion, I also discovered the bandoneon, an instrument that is very similar to the accordion in spirit. Almost everything said about the accordion also applies to the bandoneon: the reeds, the lively sound production through the bellows, and the intimate, physical connection.
What makes the bandoneon special, however, is its even greater expressiveness. It is capable of conveying a deep melancholy and passion that makes it, among other things, the undisputed king of tango.
The challenge: An unsystematic sound system
The major hurdle inherent to the bandoneon is its tone system, which has no logical structure. It is alternating tone—the same button produces a different tone depending on the direction of the bellows (pulling or pushing). In contrast to the bayan, whose layout remains logical across the direction of the bellows, the bandoneon is extremely challenging. Especially for improvisation, which is such a big part of my musical identity, I have to master the instrument blindly. The illogical system makes it difficult to start playing late in life, as mental and physical automation requires years of pure dedication. With my other instruments, I simply didn't have the time for that.
Despite all my enthusiasm, I had to recognize my limitations and make a difficult decision. The realization that I would never reach a satisfactory level on this instrument led me to consciously let it go. Nevertheless, I remain fascinated by the instrument and its unique sound character. The bandoneon thus stands as a symbol of the realization that a love of music does not always lead to mastery.
The following, only recording I made on the bandoneon documents the state of affairs at that time.
