For me, the harmonium is an instrument that builds bridges—it combines the playing characteristics of the organ with those of the accordion. It is an instrument of synthesis, bringing together the keyboard of the organ with the sound aesthetics of reed instruments.
As with the accordion, sound is produced by reeds that are set into vibration by wind. Although you play with both hands on the keys, as on a piano or organ, the bellows allow for direct control. This makes modulation, accents, and dynamics possible, as with the accordion. The tone can be shaped after it is struck, which brings a liveliness to the sound that is lacking in the piano and the classical organ. At the same time, it offers register options similar to those of the organ, allowing for orchestral sound design.
The harmonium in sound and playing style – closer in musical approach to the accordion or bandoneon than to the organ or piano. It shares with reed instruments the intimacy of sound production through wind.
Innovation through improvisation
My musical approach is not traditional harmonium music—which I don't find particularly appealing. Instead, I use the qualities of the instrument for improvisation—including in modern and contemporary styles. In this way, the harmonium—an "old" instrument—is presented and brought closer to contemporary music. It becomes a timeless voice that connects the old with the new and, hopefully, can also inspire young musicians.